Tuesday’s Overlooked Film: Night Train to Munich (1940)

Night Train to Munich deftly blends romance, comedy and suspense to create a great piece of entertainment. Much credit to this must go to director Carol Reed (of The Third Man notorietyfor his ability to combine all of these elements together.

The plot is somewhat generic for WWII espionage thrillers of the period with a few added twists and turns for good measure:

A Czech scientist has some information the Nazis want. As he and his daughter attempt to flee the impending occupation, the daughter (portrayed by Margaret Lockwood) is apprehended and sent to a concentration camp. She eventually “escapes” and heads to England to find her father, who is hidden somewhere in the country. While there, she comes in contact with British intelligence primarily in the form of Rex Harrison. All of this sets the narrative in motion in a race against time to prevent the Nazis from getting their hands on the Czech scientist’s secret.

As previously stated, the plot is somewhat generic for a wartime espionage thriller. Taken in its proper context, this makes sense. The year is 1940 and the film represents a propaganda-styled film designed to boost the morale of a nation deeply in the throws of a war against Germany; at this time England literally must feel like an island unto its own as it is about a year before the United States officially enters the conflict.

According to my research, Carol Reed looked at this film as a “sequel” of sorts to Alfred Hitchcock’s The Lady Vanishes, made two years earlier. While Night Train to Munich shares many similarities to its predecessor, chiefly (1) a main part of the action takes place on a train; (2) the cast includes Margaret Lockwood and the popular Charters and Caldicott (portrayed by Basil Radford and Naunton Wayne, respectively); (3) it features a death-defying climatic sequence of events.

But that is where the similarities end. Notable and welcomed additions to this idea are the presence of Rex Harrison and Paul Henreid. In the case of the latter, Henreid puts on display his fine acting ability and succeeds in convincing the audience that he is a bona-fide “baddie.” This portrayal is in stark contrast to his later heroic turns in both Casablanca and Now, Voyager (both from 1942).

Night Train to Munich takes its audience on a fun and thrilling ride from the Czech Republic to England and Germany.

While you may occasionally catch it on cable (I recently watched it on Turner Classic Movies), it is also available on Criterion DVD at several online retail outlets.



  1. Patti Abbott says:

    I saw this recently for the first time and enjoyed it. Always like Margaret Lockwood. So noble. And love Charters and Calicott. Harrison is rather wooden though Henreid is always great.

  2. I totally LOVE LOVE LOVE this movie. I’m so glad you’re writing about it today. I read about this a few months ago on one of the mystery blogs, then I watched it and wrote about it on my blog as well. I’m mad about this film. 🙂

    I found Rex Harrison delightful in this. He was also very good looking. Never hurts. 🙂

    By the way, Netflix has it on Instant Play.

  3. Jack Deth says:

    Hi, iluv and company:

    I caught ‘Night Train To Munich’ back in June on TCM and was impressed that such an obscure, overlooked flick meshed so well and delivered.

    Great catch on The Carol Reed connection with ‘The Third Man’ with more than a whiff of Martin Ritt’s ‘The Spy Who Came In From The Cold’ in regard to mood, setting, shadows and the power of spoken words.

    It was also great to see Rex Harrison in his pre ‘My Fair Lady’ days as a foppish, covered British SOE agent.

  4. Iba, I’ve been trying to remember if I’ve seen this one, but I do tend to like Reed’s films on average better than Hitchcock’s…and the memories of other wartime films of my youth (and such similar items as ODD MAN OUT) help blur the memories…ever see the perhaps not too dissimilar US film, MLLE. FIFI?

  5. Yep. Very annoying that they left it out of the Lewton Unit box…I missed its presence there more than YOUTH RUNS WILD.

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