TCM Film Fest 2013: Recap, Part 2

This is the second of my two-part series wherein I recap my time at the 2013 TCM Film Festival.

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Day 3 – Four!

Saturday morning cartoons were a staple of my rearing and today would be no different. So again at a time that I would not typically be attending the cinema (8:30 or so to queue up) I was entertained by a series of Looney Toons shorts, featuring the one, the only Bugs Bunny, who was celebrating his 75th birthday! The shorts were introduced by Jerry Beck and Leonard Maltin.

I swiftly moved from Chinese Multiplex 1 to 4, prepared for my second Hitchcock screening, The Lady Vanishes that was introduced by Norman Lloyd (age 98), who skipped his weekly tennis game to present this (and several other) film.
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The wonderful thing about attending events like this is that they provide a rarefied opportunity for us in the present to listen to people who provide first hand accounts of people of the stature of Alfred Hitchcock, people who in seem so distant and removed from us.

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The Big Parade: I have to admit; this film was not on my radar as I made my preliminary viewing plan, but I am SO glad that I changed my mind at the last minute. Admittedly I am not a huge fan of silent cinema, but it is a format that I am gradually coming around to. So what better way to continue my silent cinema education than by watching the World Premier Digital Restoration of the WWI classic, directed by King Vidor, and introduced by film historian Kevin Brownlow. What fascinated me above all else with this movie is that it predates the silent epic Wings which until this point was my gold standard in the capturing “the war to end all wars” on film. This response to The Big Parade does not diminish in any way the impact and significance of Wings but it does help inform my further understanding of the canon of silent film. In the simplest of terms, this film was sublime.

Annex - Gilbert, John (Big Parade, The)_01

 

The Tall Target: Check out my previous blog post on this.

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What a way to round out the day! As the evening crept in, a feeling of sadness swept over me … I knew my time at the festival was drawing to a close and it made me sad :( I said hellos (and goodbyes) to the wonderful array of friends I made and ventured back to my hotel to ready myself for my eastbound flight the next afternoon.


Day 4 – No movies, just taking it all in. 

But I enjoyed living vicariously living through my fellow festival goers as to their whereabouts. I did a walk-by of the Cinerama dome prior to the showing of Cinerama Holiday (really wanted to see it).
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Other films I wanted to see if given the time were:

Never in a million years did I think I would utter the phrase – how I hate to leave Los Angeles – but this weekend I did. But the time came sooner than I wanted. I spent that morning prior to departure wandering down the boulevards of legend (H’wood and Sunset) pass through a lovely farmer’s market.
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OH I did also take the time to show my #noncynicalnewyorker stripes and took way too many pictures of some of my favorite stars’ star on the Walk of Fame.
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But now as I write this, LA and Hollywood are in my rearview as I am settled and safely nestled in my East Coast domicile, ready for it to start all over again. See you in 2014!

TCM Film Fest 2013: Recap, Part 1

This is the first in a two-part recounting of my four days in the heart of Hollywood where I attended the fourth annual Turner Classic Movie Classic Film Festival (TCMFF for short).

Day 1 (or Nought Point Five if you will) – Arrival.

I touchdown a bit late but I touch down (#ThankGoodnessForSmallFavors) and shuttle to my hotel on Hollywood and Vine (nice!). But I did not have too much time to enjoy it – I simply drop my bags, freshen up and head straight down the Boulevard to the Roosevelt Hotel to pick up my credentials and meetup with a couple of folks. I connected with my blogging buddy Paula (@TCM_Party) in Club TCM and attend my first event  – a presser where we are introduced to the new TCM/Bonhams auction house collaboration of classic Hollywood memorabilia.

I also had the pleasure of playtesting a TCM app that is currently in development. My reward was a $5 GC that I quickly used as a credit for purchasing quite a few items in the TCM Boutique. My question is: how did they know I am a shopaholic? After spending a few minutes poolside at the Opening Night Party, I prepare myself for a double bill of classic movie goodness.

My first screening The Killing features one of my personal favorite actors, Sterling Hayden. I cannot exactly pinpoint it but I think it has something to do with his varied career as an actor and pursuer of many interests that draws me in.
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The evening came to a close with the viewing of a pre-Code gem – William Wellman’s Safe in Hell, introduced by film historian Donald Bogle and William Wellman’s son.
SAFE IN HELL, Dorothy Mackaill, 1931

After that it was an ‘interesting’ walk down Hollywood Boulevard to my hotel. Here I would like to offer a bit of advice: don’t walk it at night – hop on the Metro – it’s one stop and clean.

I pick up a slice of pizza (my first meal in LA) and promptly relax myself as I look forward to the day ahead – no time could be spared, the next day started at 9:15AM, sleep and jet lag be damned.

 

Day 2 – Three Films, One Completely New

Like I said above, I had to get up rather early, took the Metro (advice heeded) and queued up for my first film on a Friday morning. Just typing being at a film at 9 in the morning feels weird.  The way I justify it (if I HAVE to) is simple – it’s early afternoon at home. I Know Where I’m Going! is a British/Scottish gem and a film that I have always wanted to watch but never quite gotten round to. All I can say is that I am SO happy that my first experience is seeing was on the big screen. Did I mention I thought the film was absolutely LOVELY?
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As soon as the end credits rolled, I allowed myself a moment to take in the aforementioned loveliness and swiftly headed down the street to Grauman’s Egyptian to get on another line, this time to screen a repeater for me, the noir classic The Narrow Margin, introduced by one of the film’s surviving stars, Jacqueline White. It had been some time since I had last seen this film so I had forgotten a lot of the plot and subsequently many of the plot twists that I had totally forgotten about.
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My next film was also in the Egyptian. For the first of two Hitchcock films I would see over the weekend, the incomparable Notorious. Introduced by former TCM Essentials host Rose McGowan, I must say I never tire of seeing this sensual thriller.
IMG_0582It’s my iPhone wallpaper, ya’ll!

What a satisfying way to end my day.

Stay tuned tomorrow for the concluding two days of my Hollywood adventure!

TCM Film Fest Updates (Via Twitter)

As I prepare to hang out on the #LeftCoast, I thought you might like to check out what is already taking place in Hollywood ahead of the TCM Film Festival!

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Tribeca 2013 Preview: 3 to See

Well folks. The Tribeca Film Festival, is open for business today! While I will not be attending any live events until Friday, ahead of the official start, I had the pleasure of squeezing in a couple of pre-festival screenings.

Here are some films I feel are worth a look.

 

BYZANTIUM (2012)

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Byzantium marks director Neil Jordan’s second foray into the vampire genre; the first being the slightly disappointing 1994 feature Interview with a Vampire. Here, many of the standard Gothic elements that did work in Interview remain, the slight alterations to the standard vampire folklore combined with a decidedly modern edge make this one worth watching.

Clara (Gemma Aterton) and her ‘sister’ Eleanor (Saoirse Ronan) find themselves seeking shelter in a seaside resort town and take up with an unsuspecting man (Daniel Mays) in his rundown hotel. As the narrative unfolds, we learn more about their past and what has brought them to this point.

The film is also an examination of how each woman come to terms with the curse of being undead and what that means for their humanity, or whatever remains of it.

Byzantium also stars Sam Riley, Jonny Lee Miller and Caleb Landry Jones.

 

THE RELUCTANT FUNDAMENTALIST (2012)

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Mira Nair’s directs this adaptation of the novel by Mishin Hamid about a young Pakistani professor Changez Khan (Riz Ahmed), Princeton-educated and seemingly on the fast-track to realizing the American Dream. This comes to an abrupt halt in the wake of the September 11th attacks. Feeling alienation and under suspicion, he returns to Pakistan and through no will of his own becomes both a leader to his students and a target of interest for the American government.

The film also stars Liev Schreiber, Kiefer Sutherland and Kate Hudson.

 

BEFORE MIDNIGHT (2013)

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Before Midnight is by all accounts the third and final installment to the love story that began 18 years ago during a chance encounter on a Vienna-bound train. It is poignant look at Jesse (Ethan Hawke) and Celine (Julie Delpy), as they approach middle age together. Like the previous chapters of their story, much of the story is a reflective piece that yes, has the risk of falling victim to what some may consider “navel gazing,” but here, it is delivered with such freshness by the leads that you are along the ride. Also like the previous films, the setting serves as a major backdrop to the story – this time, we are transported to a dreamy Grecian landscape.

Before Midnight is, like the other films, directed by Richard Linklater.

Cannes 2013 Poster: Another Lovely!

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The marketing folks at the Cannes Film Festival are really trying to make me go broke. Last year, it was the lovely Marilyn Monroe poster (which I promptly purchased). For the 66th annual event, we have another part of Hollywood Royalty – this time in the form of my favorite cinematic lovebirds, Paul Newman and Joanne Woodward. Check out the poster below:

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The Cannes Film Festival will take place from 15th-26th of May.

Hit the comments to let me know what you think about the poster (What’s not to LOVE ?)

Check Out My NEW Page for the 2013 TCM Classic Film Festival!

As you can imagine I am SUPER excited to be heading to LA next month to cover the upcoming Turner Classic Film Festival! A lifelong fan of classic cinema, it has always been a dream of mine to attend this wonderful event and now the moment has come!

 

In conjunction with my coverage of the I have created a new page on my blog where I will capture all the programming updates leading up to the 25th of April. Stay tuned to the space (and Twitter) for further updates. From what I can tell, it is going to be a wonderful 4 days in Hollywood!

ILC’s Take on the Sundance 2013 Slate

I swear that one day I will get out to Park City Utah, but alas it will not be in two months time. In the meantime, the best that I can do is chill in my living room and wistfully take a look at the Sundance Class of 2013; there is a lot of information so I decided to highlight those titles on the list that piqued my interest; here for the full press release.

 

US DRAMATIC COMPETITION

(16 Features in Competition)

Touchy Feely

Ain’t Them Bodies Saints / U.S.A. (Director and screenwriter: David Lowery) — The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met. Cast: Rooney Mara, Casey Affleck, Ben Foster, Nate Parker, Keith Carradine. ILC’s Take: I am curious about this one.

Austenland / U.S.A., United Kingdom (Director: Jerusha Hess, Screenwriters: Jerusha Hess, Shannon Hale) — Thirtysomething, single Jane is obsessed with Mr. Darcy, as played by Colin Firth in Pride and Prejudice. On a trip to an English resort, her fantasies of meeting the perfect Regency-era gentleman become more real than she ever imagined. Cast: Keri Russell, JJ Feild, Bret McKenzie, Jennifer Coolidge, Georgia King, James Callis. ILC’s Take: Anything with “Austen” in the title is worth a look-see.

Kill Your Darlings / U.S.A. (Director: John Krokidas, Screenwriters: Austin Bunn, John Krokidas) — An untold story of murder that brought together a young Allen Ginsberg, Jack Kerouac and William Burroughs at Columbia University in 1944, providing the spark that led to the birth of an entire generation – their Beat revolution. Cast: Daniel Radcliffe, Dane DeHann, Ben Foster, Michael C. Hall, Jack Huston, Elizabeth Olsen. ILC’s Take: I love beatniks – in a slightly ironic way, but this looks like a good historical piece.

Touchy Feely / U.S.A. (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother’s foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais. ILC’s Take: Anything with Allison Janney in it is worth watching.

 

U.S. DOCUMENTARY COMPETITION


The world premieres of 16 American documentary films.

Gideon’s Army

American Promise / U.S.A. (Directors: Joe Brewster, Michèle Stephenson) — This intimate documentary follows the 12-year journey of two African-American families pursuing the promise of opportunity through the education of their sons. ILC’s Take: Not sure what to say about this but it looks good.

Gideon’s Army / U.S.A. (Director: Dawn Porter) — Gideon’s Army follows three young, committed Public Defenders who are dedicated to working for the people society would rather forget. Long hours, low pay and staggering caseloads are so common that even the most committed often give up. ILC’s Take: I saw a sneak preview of this during a Ford Foundation event recently and my interest is heightened.

Inequality for All / U.S.A. (Director: Jacob Kornbluth) — In this timely and entertaining documentary, noted economic-policy expert Robert Reich distills the topic of widening income inequality, and addresses the question of what effects this increasing gap has on our economy and our democracy. ILC’s Take: I am an undercover political animal and love these types of exposés.

Twenty Feet From Stardom / U.S.A. (Director: Morgan Neville) — Backup singers live in a world that lies just beyond the spotlight.  Their voices bring harmony to the biggest bands in popular music, but we’ve had no idea who these singers are or what lives they lead – until now. DAY ONE FILM ILC’s TakeThe unsung heroes (pun intended) get some shine. Gotta love it.

WORLD CINEMA DRAMATIC COMPETITION


Twelve films from emerging filmmaking talents offer fresh perspectives and inventive styles.

Crystal Fairy

Crystal Fairy / Chile (Director and screenwriter: Sebastián Silva) — Jamie invites a stranger to join a road trip to Chile. The woman’s free and esoteric nature clashes with Jamie’s acidic, self-absorbed personality as they head into the desert for a Mescaline-fueled psychedelic trip. Cast: Michael Cera, Gabby Hoffmann, Juan Andrés Silva, José Miguel Silva, Agustín Silva. World Premiere. DAY ONE FILM ILC’s Take: Sounds a little trippy, but it may work.

 

WORLD CINEMA DOCUMENTARY COMPETITION


Twelve documentaries by some of the most courageous and extraordinary filmmakers working today.

Google and the World Brain

Fire in the Blood / India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere ILC’s TakeThis is news to me and should an interesting watch.

Google and the World Brain / Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious project ever conceived on the Internet, Google has been scanning the world’s books for 10 years. They said the intention was to build a giant digital library, but that involved scanning millions of copyrighted works. World Premiere ILC’s Take: It’s google, man!

 

NEXT <=>


Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling. Digital technology paired with unfettered creativity proves the films selected in this section will inform a “greater” next wave in American cinema.

Blue Caprice

Blue Caprice / U.S.A. (Director: Alexandre Moors, Screenwriters: R.F.I Porto, Alexandre Moors) — An abandoned boy is lured to America and drawn into the shadow of a dangerous father figure in this film inspired by the real life events that led to the 2002 Beltway sniper attacks. Cast: Isaiah Washington, Tequan Richmond, Joey Lauren Adams, Tim Blake Nelson, Cassandra Freeman, Leo Fitzpatrick. ILC’s Take: I personally remember being scared witless by this story – at the height of the tension, I had planned a trip down to the greater DC area.

Milkshake / U.S.A. (Director: David Andalman, Screenwriters: David Andalman, Mariko Munro) — In mid-1990′s America, we follow the tragic sex life of Jolie Jolson, a wannabe thug (and great-great-grandson of legendary vaudevillian Al Jolson) in suburban DC as he strives to become something he can never be – black. Cast: Tyler Ross, Shareeka Epps, Georgia Ford, Eshan Bay, Leo Fitzpatrick, Danny Burstein. ILC’s Take: Interesting …

 

WHAT’S YOUR TAKE?

Congratulations to the Winners! (BeneathEarth Film Festival)

This year I had the honor (again) of looking at up and coming filmmakers’ work on display as part of the annual Beneath The Earth Film Festival. The Class of 2012 was an eclectic mix of films that ranged from near-feature length to digital shorts from all around the world.

I am pleased to say the two films that garnered the top prizes this year were among my favorite of the lot:

BEST FILM (as selected by the Grand Jury): Ditching School to Whistle

SUMMARY: In April 2012, filmmaker Ien Chi set out to enter an international whistling competition and make a short documentary film about it. This is what resulted.

I really like the premise of this film; in my notes, I indicated that what worked for me about this film was the fact that it presented a topic that I would not have otherwise given much attention. And the skill of the filmmaker made it such that I was entertained by what I saw on screen.

 

AUDIENCE AWARD (as selected by the general public): The Double

SUMMARY: In Japanese colonial era of Taiwan, the rain season bore twins destined to be abandoned. Ameko has been in illness isolation since childhood. While Yu has nightmares every night. Their mother died early and Father is always away from home. Rippling waves stir memories of youth. A heavy fog gradually disperses, revealing the end of a dream and a flower called ‘the double’.

To me, this film was simply sublime. It was very atmospheric and had a lovely soundtrack to accompany what we saw on screen. This film is Taiwanese director Yu-Tong Weng’s graduation project.

 

OTHER CATEGORY WINNERS:

Best Story: Ditching School to Whistle
Best Editing: Refuge
Best Cinematography: Extranjero
Best Soundtrack: The Double
Best Acting: Refuge

 

If you are interested in catching these (or any of the other films in competition) you have until the end of the month; simply go to: http://beneathearth.com/watch/

Congratulations to ALL the filmmakers with a special shout out to the winning filmmakers!

Until next year …

Call for Entries at the BeneaThEarth Film Festival!

This year I am returning to the Grand Jury for the BeneaThEarth online film festival, which showcases emerging cinematic talent. I encourage you to visit the website and check out the previous winners over the years.

Toronto Film Festival 2012

As I try to do every so often, I take a look at what is going on in some of the international film festivals. Sometimes my interests make it to the blogosphere, more times not.

As you have probably figured out by now I am not in Toronto covering the event – but I am very curious about several of the films I have seen that are part of the program. Check them out below (in alphabetical order; images and synopses provided by the official Toronto Film Festival website):

 

9.79*

Filmmaker Daniel Gordon investigates the 1988 Olympic race that resulted in disgrace for Canadian sprinter Ben Johnson, a gold medal for the USA’s Carl Lewis, and major controversy over drug testing.

 

Bad 25
Spike Lee pays tribute to Michael Jackson’s Bad on the twenty-fifth anniversary of the epochal album, offering behind-the-scenes footage of Jackson recording the album and interviews with confidants, musicians, choreographers, and such music-world superstars as Kanye West, Sheryl Crow, Cee Lo Green and Mariah Carey.

 

The Central Park Five
The devastating new documentary by Ken Burns, Sarah Burns and David McMahon on the infamous “Central Park Jogger” case details how a rush to judgment by police, media and an outraged public led to five black and Latino teenagers being convicted for a heinous crime that they did not commit.

 

Great Expectations
An outstanding roster of British acting talent — including Ralph Fiennes, Helena Bonham Carter, Robbie Coltrane, Sally Hawkins, Jason Flemyng, Ewen Bremner — bring Charles Dickens’ universe to life in this magnificent new screen version of the classic novel from director Mike Newell.

 

A Liar’s Autobiography — The Untrue Story of Monty Python’s Graham Chapman
John Cleese, Michael Palin, Terry Jones and Terry Gilliam pay tribute to their late Monty Python colleague Graham Chapman in this hilarious, 3-D animated adaptation of Chapman’s brazenly fictionalized life story.

 

Love, Marilyn
Love, Marilyn takes an intimate look into the never-before-seen letters, diaries and notebooks of Marilyn Monroe. Appearing on screen to perform Marilyn’s words are renowned contemporary actresses, including Marisa Tomei, Uma Thurman, and Glenn Close.

 

Much Ado About Nothing
Shakespeare’s classic comedy gets contemporary spin in Joss Whedon’s stylized adaptation. Shot in just twelve days using the original text, the story of sparring lovers Beatrice (Amy Acker) and Benedick (Alexis Denisof) offers a dark, sexy and occasionally absurd view of the intricate game that is love.

 

Venus and Serena
An intimate documentary that takes us inside the lives of tennis superstars Venus and Serena Williams, during a year when debilitating injuries and life-threatening illness threatened to take them out of the game once and for all.

Do any of these films interest you? Have you taken a look at the Toronto lineup yet?