Happy Belated Birthday Bill Holden!

holden-as-sefton1

William Holden as Sefton in "Stalag 17" (1953)

April 17th (Friday) marked William Holden’s 91st birthday.  As someone who is admittedly a fan but also admitting to not seeing films such as The Wild Bunch (1969) and Network (1976) to their completion, here in no particular order are a list of what I feel are some notable Holden performances:

Picnic (1955) – the Cinemascope/Technicolor combination makes this film feel like a big sweeping epic.  Which is strange since is hails from a stage show, which  in general tend to be more confined. It just looks like a “big” picture. While I do not think that this is the best of Holden’s performances, I still enjoyed the picture.  A great part of my reservation stems from the fact that while Holden’s Hal Carter is a bit world-weary (much list the actor in real life) there is an immaturity in Hal that Holden does not seem to be able to capture.  It truly is a compliment to the fact that by this time in his life Holden himself appeared to be a man who “got it” and would not live under such delusions.

Sunset Boulevard (1950) – one of his finer performances.  As much as we are taken in by the bravura performance of Gloria Swanson’s Norma Desmond, Holden performance is a perfect foil with its nonchalant indifference to the glare of Hollywood.  No wonder he received his first Oscar nomination!

Apartment for Peggy (1947) – this such a cute movie especially for slow afternoon.  Truly diverting and pleasure to watch.

Our Town (1940) – I watched this movie again the other night on late-night public television.  I think this film is especially noted for a fine turn from pre-WWII Holden.  When referencing his performance, the New York Times’ Bosley Crowther in his June 14, 1940 review stated, “William Holden plays the boy with a clean and refreshing youthfulness.”  Among the awards bestowed upon this film: “10 Best Films” – 1940 New York Times; “10 Best Films” – 1940 Film Daily; Best Acting – 1940 National Board of Review (Martha Scott and William Holden).  In addition it was nominated in the following categories:  1940 Oscars – Best Actress (Martha Scott); Best Black and White Art Direction (Lewis Rachmil); Best Score and Original Score (Aaron Copland); Best Picture; Best Sound (Thomas T. Moulton); 1940 National Board of Review for Best Picture.

Stalag 17 (1953) – my personal fave and by sheer coincidence Holden’s Award-winning performance as Sefton, a cynical, self-serving POW who ends up being our hero by film’s end.

For those who are interested in learning about the life of William Holden the actor and the man, I recommend Bob Thomas’ Golden Boy:  the Untold Story of William Holden is a very good biography.  It tells the story straight without too many salacious details.

Fright Fest – my “tales of terror.”

This past Monday night as I prepared myself to watch a replay of the new HBO series True Blood, I was watching the preceding program, Shadow of the Vampire from the year 2000.  It was my first time viewing this film about a fictionalization surrounding the filming of 1922’s Nosferatu.  Overall is made for great viewing but it got me thinking, “In my mind, what qualifies a movie as ‘scary’ or even ‘terrifying’?”  After some thought I concluded that this definition for me is very broad.  That is why I use scary and terrifying interchangeably as you will find throughout the passage.

To me, the goal in creating a good it is not merely about the shock-value – although that can go a long way when executed properly.  What is truly scary or terrifying to me are films which upon their first (and hopefully subsequent) viewings to a “mind mess” with me.  In other words, to truly feel terrified or scared, I want to leave the cinematic experience playing with various scenarios of what I have just experienced in my head, almost to a troubling degree.  My television equivalent of what is most terrifying is what the very best of Rod Serling’s The Twilight Zone had to offer.

In previous entries I have stated my love of (all) things Alfred Hitchcock. For the purposes of this blog entry I will exclude these titles – although I must admit when I think of scary and terrifying I do not immediately think of Hitchcock for some reason.  I do find them suspenseful and full of dramatic tension but around this time of year I do no feel a special need to place his titles in a heavier DVD rotation.

So as we near All Hallow’s Eve this Friday here is a list of what MAY be playing in my queue.  This is not an all-inclusive list I am sure.  A couple that are not on the list but in my collection is The Orphanage ( il Orfanato) and Hard Candy – we’ll see if they have what it takes to make my list!

Meshes on the Afternoon (1943) – a Maya Deren short which has produced a couple of nightmares in my lifetime
Dead of Night (1945) – I really hope that this film gets a proper digital transfer to DVD – this is one for the collection, a real keeper.
Brazil (1983)
Jacob’s Ladder (1990)
The Shining (1980) – sterility and coldness literally sends shivers up my spine; Kubrick was very effective at capturing that.
The Others (2001) – Who cares if you were able to figure out the plot twist before the big reveal?  My unsettledness had a lot to do with the other-worldly atmosphere.
Heavenly Creatures (1994) – a terrific pre-LOTR adaptation by Peter Jackson.
The Third Man (1949) – part of what makes the visualization and imagery disturbing in this film has to do with its connection to the aforementioned “Heavenly Creatures.”

Great Movie Resources

I have decided as my first post to provide a link of some of the internet sites I found to be the most helpful and useful in my expolration of all things cinematic (in no particular order).

Film Reviews:

http://www.rottentomatoes.com – a great site for concensus film reviews

http://www.bbc.co.uk/fivelive/entertainment/kermode.shtml – Mark Kermode film reviews from BBC Radio

Movie Databases:

http://www.imdb.com – the old standby

http://www.facets.org – an excellent guide to the entire world of cinema. I used to receive the catalog – made for great reading; items also availabel for purhcase

http://www.criterion.com – the source for “important” classic and contemporary cinema from all over the world

Films on Television:

http://www.turnerclassicmovies.com – 24/7 classic films and specials, all commerical-free

What’s Playing Now:

http://www.fandango.com – where I go to purchase my movie tix

Film Societies, Institutions, Installations and in Academia:

http://www.filmlinc.org – The Film Society of Lincoln Center

http://www.afi.com – American Film Institute

http://www.bfi.org.uk – British Film Institute – their publications and books are amazing

http://www.moma.org/collection/depts/film/index.html – Museum of Modern Art (MoMA) film Collection

http://www.filmquarterly.org/index2.html – Film Quarterly Magazine

http://www.loc.gov/film/ – National Film Preservation Board; also the location of the Film Registry for films to be forever preserved

As I continue to recall more sites that I visit, I will post them to the blog roll. Enjoy!