andrea arnold — i luv cinema

I am Really Excited About … Wuthering Heights (2011/2)

When I mentioned Wuthering Heights in a post last year (“The Serious Season”) I was unsure if it would see the inside of a cinema by the end of 2011. But alas 2011 came to a close and there was no mention of this film Stateside. The film was shown at both the 2011 Toronto International and Venice Film Festivals.

So you can imagine my surprise when I received word from the film’s U.S. distributor that Andrea Arnold’s adaptation of Emily Brontë’s classic love story, Wuthering Heights, is coming to a theater near us.

Here is the international trailer:

SYNOPSIS

Andrea Arnold’s WUTHERING HEIGHTS is an excitingly fresh and distinct take on the classic novel by Emily Brontë.

An epic love story that spans childhood well into the young adult years, the film follows Heathcliff, a boy taken in by a benevolent Yorkshire farmer, Earnshaw. Living in Earnshaw’s home, Heathcliff develops a passionate relationship with the farmer’s teenage daughter, Catherine, inspiring the envy and mistrust of his son, Hindley. When Earnshaw passes away, the now-grown characters must finally confront the intense feelings and rivalries that have built up throughout their years together.

This will be the Academy Award winning director’s third feature-length film (previous work includes Red Road, Fish Tank).

Fish Tank

After being taken quite aback by Ms. Arnold’s feature-length directorial debut Red Road I was cautiously looking forward to seeing Fish Tank. This past week, I had the extra pleasure of catching a sneak preview of the film at the Brooklyn Academy of Music, where Ms. Arnold and one of the films’ stars, Michael Fassbender, were on hand for a post-screening question and answer session. As previously mentioned, my knowledge of Ms. Arnold’s work is Red Road and to put it simply it was an uncomfortable watch – but not in the way you would expect. I look at Fish Tank the same way.

Best summed up by Mr. Fassbender this past Thursday, one of the strengths (and sources of unease in my opinion) in the director’s work is that she is merely observing her characters in their world – she is not casting aspersions on their actions or decisions. In that regard, the audience is not given the opportunity to say, “Oh yeah he is a bad guy and his actions and their consequences are emblematic of this.” We are not let off that easily; we observe Ms. Arnold’s characters as flawed people who often make decisions that while not of made out of malice, they will come to regret. I looked at this story and its characters without judgment – a rarified cinematic experience. As I wrote this “review” I rejected the idea of scribing a synopsis because I feel to summarize this story as a “coming of age” tale does it a little of a disservice.

Yes, we are looking at the story through the lens of the teenager Mia (sensational debut by newcomer Katie Jarvis) but there are so many more ideas and themes at play in the film.

In closing, all I can say is that it was a fantastic watch and I highly recommend it.