Classic Film Survey!

Rianna over at Frankly, My Dear, has put together a Classic Film Survey for the month of February. This has been a fun exercise as it has given me the opportunity to come ‘home’ to where my love for cinema began – with the classics.

For your consideration …

 

1. Favorite classic Disney?

2. Favorite film from the year 1939?

3. Favorite Carole Lombard Screwball role?

Don’t have one, unless you count To Be or Not to Be which I don’t because it did not really ever descend into pure screwball zaniness.

4. Favorite off screen couple? (It’s ok if it ended in divorce.)

No brainer ….

5. Favorite pair of best friends? (i.e: Barbara Stanwyck and Joan Crawford)

Josephine Baker and Grace Kelly – Not sure if they were the ‘BESTEST’ of friends, but ever since an encounter in NYC early in Grace’s career, they remained dear friends until the end of Josephine’s life. At the time of Baker’s death, Princess Grace secured her burial in Monaco.

6. Favorite actor with a mustache?

7. Favorite blonde actress?

8. Favorite pre-code?

9. Which studio would you have liked to join?

10. Favorite common on screen pairing that SHOULD have gotten married?

William & Myrna

11. Favorite I Love Lucy episode?

12.  Out of these actresses which one do you like best: Lucille Ball, Ingrid Bergman, Natalie Wood, Grace Kelly, Audrey Hepburn, Greer Garson, Grace Kelly, or Katharine Hepburn?

I can only pick one? Shucks – I guess I will have to go with Grace Kelly of Philadelphia, Pennsylvania. Well I’ll a little cheat … the photo below is of Grace Kelly AND Audrey Hepburn ;)

13. Shadowy film noir from the 1940’s or splashy colorful musicals from the 1950’s?

14. Actor or actress with the best autograph (photo preferred).

15. A baby (or childhood, or teenage) photo of either your favorite actress or actor (or both, if you’d like).

Joan Fontaine

 

The National Film Registry

Last week, the Library of Congress’ National Film Preservation Board announced the latest 25 films to be added to National Film Registry for being “culturally, historically or aesthetically” significant. ”

More significantly, once a title is added to the registry, the Library makes every effort to preserve the film for future generations to enjoy. The full list of films run the gambit from full, feature length films, short subjects, documentary and experimental works.

When I was younger, I was obsessed with this list; year after year I would go about composing my list and submitting it to the Library for consideration. I also used this list as a checklist for films that I must see.

It has been several years since I have done that but it is still pretty cool to see what the selections that are made from year to year.

The Class of 2011 is as follows:

  1. Allures (1961)
  2. Bambi (1942)
  3. The Big Heat (1953)
  4. A Computer Animated Hand (1972)
  5. Crisis: Behind A Presidential Commitment (1963)
  6. The Cry of the Children (1912)
  7. A Cure for Pokeritis (1912)
  8. El Mariachi (1992)
  9. Faces (1968)
  10. Fake Fruit Factory (1986)
  11. Forrest Gump (1994)
  12. Growing Up Female (1971)
  13. Hester Street (1975)
  14. I, an Actress (1977)
  15. The Iron Horse (1924)
  16. The Kid (1921)
  17. The Lost Weekend (1945)
  18. The Negro Soldier (1944)
  19. Nicholas Brothers Family Home Movies (1930s-40s)
  20. Norma Rae (1979)
  21. Porgy and Bess (1959)
  22. The Silence of the Lambs (1991)
  23. Stand and Deliver (1988)
  24. Twentieth Century (1934)
  25. War of the Worlds (1953)

 

Click here to view the complete list (from 1989-Present).

If you get a moment, take a look at the list. After looking checking it out, ask yourself: What films would you like to see on the list? your voice can be heard – nominations are open to the public. If you are passionate enough about a film not on the list, you can nominate your film by going to this site.

But before you go and try to nominate The Dark Knight, know that you can’t, well not at least for 2019 – the nominated film has to be at least 10 years old.

 

Coming to a Theatre Near You ….

cinema screenI may not have to tell many of you out there, but when it comes to classic movies, you should take every opportunity to see them on the big screen. I was not always a purist in this regard. I figured I could watch TCM or AMC with and get a satisfactory cinematic experience. Then I saw the restored version of Vertigo (1958) at my alma mater’s movie theatre. There is nothing like it.

The problem then becomes, where to find screenings? In places like NY or LA there is not much of a problem. I know Chicago has a couple of cool places too! But it gets a little tricky outside of major metropolitan areas. There are many resources out there, but here is one site that I think is a good starting off point.

A Great Book for Movie Fans!

I was listening to the radio a couple of weeks ago and the author of this book, Roger Clarke was being interviewed. The book is entitled, Story of the Scene: The Inside Scoop on Famous Moments in Film.

Well the book finally arrived this week and I have already started reading it. It actually is a very breezy, fun read. I would say it is a coffee table book but really it is a small book. The format book is very simple – each page (listed in alphabetical order) is accompanied by a production still or movie poster. The stories are behind the scene detail of how a famous scene took place in a famous movie. Some of the details I thought I knew; other details were surprising. For instance, the behind the scenes detail of the bird attack scene in Alfred Hitchock’s “The Birds” was news to me. I could have sworn that … well I will let you read it for yourself to find out. It is definitely a book that you will want to peruse and read selectively as opposed to reading straight through – at least that will be my approach to completing the book.

It is a must-read for a cinephile!

clarke booke Book Details:
Story of the Scene: The Inside Scoop on Famous Moments in Film (Professional Media Practice). by Roger Clarke, copyright 2009. Published by Methuen Dram. Paperback (176 pages)

A Mighty Fine Fella – An Appreciation of Paul Newman


Of course I did not know Paul Newman personally but his presence on and off screen made you feel like you had a personal connection to him. When I was on my train Saturday morning and my dad called me to tell me the news, my heart sank. I felt like someone a friend was gone from my life. Additionally as a dear friend of mine said when I informed her of the tragic news – he was someone for us who represented someone that we thought we would never see pass – despite our 50 plus year age difference. He was a timeless, one-of-a-kind individual whose work and life are an example for all who succeed him.

In being an “everyman”, an “ordinary” man if you will, he was extraordinary. There was the unprecedented charity work that made giving to those in need really, really cool. Butch Cassidy/Cool Hand Luke for goodness sake! The almost mythic for Hollywood 50 year marriage to Joanne Woodward is stuff o’ legend – you CAN make it.

His screen persona (as already noted in several places) was striking, disarming and oh so appealing; “The Long Hot Summer” and “Cat on a Hot Tin Roof” immediately spring to mind.  The defiant, affable rogue/rascal of “Cool Hand Luke,” “Butch Cassidy and the Sundance Kid” and “The Sting” captured audiences.  Granted I speak as a 30-something person who was not even born when the aforementioned films were out in theatres.

One film that I WAS release in my lifetime is one I watched when I was in high for religion class; “The Verdict” showed a real pathos and journey of discovery in my opinion – the troubled man who finds himself crusading in a sense to do the right thing.
It is a credit and privilege that we were able to see this progression of man throughout his career in several stage through the roles he portrayed over the course of over 50 years.

In closing, I refer to a song sung by another man known for his dazzling blue eyes; I feel like this captures the essence of a life that is lived to its fullest:

And now, the end is near;
And so I face the final curtain.
My friend, I’ll say it clear,
Ill state my case, of which I’m certain.

I’ve lived a life that’s full.
I’ve traveled each and evry highway;
And more, much more than this,
I did it my way.

Regrets, I’ve had a few;
But then again, too few to mention.
I did what I had to do
And saw it through without exemption.

Yes, there were times, I’m sure you knew
When I bit off more than I could chew.
But through it all, when there was doubt,
I ate it up and spit it out.
I faced it all and I stood tall;
And did it my way.

I’ve loved, I’ve laughed and cried.
I’ve had my fill; my share of losing.
And now, as tears subside,
I find it all so amusing.

To think I did all that;
And may I say – not in a shy way,
No, oh no not me,
I did it my way.

For what is a man, what has he got?
If not himself, then he has naught.
To say the things he truly feels;
And not the words of one who kneels.
The record shows I took the blows -
And did it my way!

Farewell and rest in peace, my friend.