The release of 1973′s The Sting reunites Butch Cassidy and the Sundance Kid‘s director (George Roy Hill) and the lead actors (Paul Newman and Robert Redford). It was a different decade in a different locale (Midwest versus the Southwest and Bolivia) but the result is the same – absolutely sublime entertainment.
Set in Depression-era Illinois (Joliet and Chicago), the action starts with Johnny Hooker (Redford) and his partners in crime Luther Coleman (Robert Earl Jones, James’ dad) and Joe Erie unwittingly and inadvertently running a scam on gangster Doyle Lonnegan (Robert Shaw), bilking him out of a large sum of money. Lonnegan’s henchmen track the grifters down and Luther is murdered. Upon finding out his friend’s fate, Hooker books it to Chicago in search for Henry Gondorff (Paul Newman), who Luther had earlier recommended Hooker seek out if he wanted to learn from the best in the long con.
Hooker vows to avenge Luther’s death; he tracks down and enlists the help Gondorff, who is a little down on his luck when Redford’s character first meets him. After some urging, Gondorff decides to take him up on his offer and under his wing; the wheels are now set in motion for setting up the large-scale con known as ‘the wire’.
He assembles a group of various con men to stage the elaborate trap for Lonnegan. Add to the mix, coppers and federal agents who are hot on the trail of our ‘heroes,’ and what you have is a wonderfully paced caper that entertains and amuses, with various twists and turns at every corner.
As much as the film is memorable for the acting and camaraderie between the lead actors, it is the music, notably for the use of the Scott Joplin ragtime composition, “The Entertainer,” that always sticks with me.
Check out the trailer:








Revisiting “Out of Africa”
For this latest installment of commemorating the 100th anniversary of Universal Studios is Sydney Pollack’s 1985 romantic drama Out of Africa starring Robert Redford and Meryl Streep.
This was always a film that I thought was “too grown up for me,” it being a proper adult film and all. So it was several years before I mustered up the resources to catch it.
Based on actual events, Out of Africa is the account of Danish writer Karen Blixen’s (pen name: Isak Dinesen, portrayed by Streep) life in Kenya from her loveless marriage to the philandering Baron Bror von Blixen (portrayed in the film by Klaus Maria Brandauer) to her friendship and romantic relationship with game hunter Denys Finch Hatton (Redford).
As to my personal response to the film, I think the critical consensus provided by Rotten Tomatoes says it all:
EXACTLY, could not have said it better myself. The film is absolutely beautiful and breathtaking and greatly benefits from a sweeping soundtrack from legendary composer John Barry. I addition, I really connected with the title performances.
But in the end, watching the film was a tedious experience. With a running time of 161 minutes, there were moments I thought about switching it off but reconsidered in the hope that the action (as it were) would eventually pick up.
One thing that may have been picked up in your reading of this piece is that I describe Redford’s character as “British.” Robert Redford? British? Alas, he does not don a British accent in the film although at least from my perspective, it is greatly implied that Denys is of British extraction.
One final note: I guess it is worth mentioning that one of the most memorable scenes in the film is the moment Redford washes Streep’s hair along the riverside. This is one of those moments that I never fully understood the romantic significance of. Let me know what you think (as a bonus, the clip gives a hint of Streep’s Danish accent):
AWARDS AND RECOGNITION
This film had awards lobbed at it. Let’s start with the Academy Awards – Out of Africa received 11 nods and won 7, including:
FUN FACT: Another of Karen Blixen’s noted works, Babette’s Feast, was turned into an Academy-Award winning film of its own.