After being taken quite aback by Ms. Arnold’s feature-length directorial debut Red Road I was cautiously looking forward to seeing Fish Tank. This past week, I had the extra pleasure of catching a sneak preview of the film at the Brooklyn Academy of Music, where Ms. Arnold and one of the films’ stars, Michael Fassbender, were on hand for a post-screening question and answer session. As previously mentioned, my knowledge of Ms. Arnold’s work is Red Road and to put it simply it was an uncomfortable watch – but not in the way you would expect. I look at Fish Tank the same way.
Best summed up by Mr. Fassbender this past Thursday, one of the strengths (and sources of unease in my opinion) in the director’s work is that she is merely observing her characters in their world – she is not casting aspersions on their actions or decisions. In that regard, the audience is not given the opportunity to say, “Oh yeah he is a bad guy and his actions and their consequences are emblematic of this.” We are not let off that easily; we observe Ms. Arnold’s characters as flawed people who often make decisions that while not of made out of malice, they will come to regret. I looked at this story and its characters without judgment – a rarified cinematic experience. As I wrote this “review” I rejected the idea of scribing a synopsis because I feel to summarize this story as a “coming of age” tale does it a little of a disservice.
Yes, we are looking at the story through the lens of the teenager Mia (sensational debut by newcomer Katie Jarvis) but there are so many more ideas and themes at play in the film.
In closing, all I can say is that it was a fantastic watch and I highly recommend it.
[…] been a fan of her work and having seen two of her previous directorial outings (Red Road, Fish Tank) I knew that this film would not provide a stock, straightforward adaptation of the source […]