Frances Ha (2013)

Sure we find out the meaning of the title by the end of the film (Frances Ha) but what leads up to that final scene is a surprisingly charmer of a film.

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As Frances, Greta Gerwig portrays a disoriented Vassar grad attempting to lead a stable life in the city. At first she inhabits a bubble of ignorance alongside her pal Sophie (Mickey Sumner), an equally spirited young woman with whom Frances runs amuck in the city. When complications arise to challenge that relationship, Frances enters into an alternately sad and hilarious cycle of denial that gives the movie a rich dimension of pathos. (Source: Rooftop Films).

Shot beautifully in black and white and co-written by the director (Noah Baumbach) and his star, the dialogue is witty, fresh and flows naturally.  The situations Frances  finds herself in are truly hilarious and I found myself guffawing on several occasions. I think that what resonated so much is that the film does not take themselves too seriously but rather is turning a self-deprecating lens on itself.

Frances Ha marks my first Mr. Baumbach experience. Prior to this screening, what I did know about his body of work, is that it often takes a rather melancholic tone. So you can imagine my surprise when I found this film so upbeat and hopeful at the close.

This however is NOT my first Greta Gerwig film … she is an engaging screen presence who seems ideally suited for these independently-spirited light comedies centering on twenty / thirty – something NYC dwellers.

I have already referenced the lovely black and white cinematography, but what is equally lovely is WHAT is being shot. I do not know if there is ever a way to make NYC and surrounding areas look so pretty.

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Check out the trailer below:

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* I caught this film as a sneak preview a couple of weeks ago at the Rooftop Film Festival (I will be doing a feature piece later on in the week).

Star Trek Into Darkness (2013)

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As I mentioned in an earlier post upon seeing the trailer for Star Trek Into Darkness, I was a bit concerned that the film would be too earnest for its own good. The trailer came off as dark and menacing. Not that these elements in of themselves are enough to turn me away from the movie theater doors, I was fearful that the sequel would lose some of the charm and whimsy that made the first movie a wonderful surprise.

I have no idea why I doubted JJ Abrams’ ability to make a sequel that is equal parts entertaining, funny and dramatic. In summary, Star Trek Into Darkness did NOT disappoint.

The action starts off with the USS Enterprise going on a mission that does not go quite as expected; the result being the demotion of our fearless/reckless Captain James T Kirk (Chris Pine). At the same time, there appears to be an imminent threat to the Star Fleet and it resources. The suspect is an enigmatic figure, one Jon Harrison (Benedict Cumberbatch). His actions set into motion circumstances that place the newly re-appointed Captain Kirk and his crew on a mission that has many twists and turns.

At the center of all the amazing action sequences and set pieces continues to be the relationships – principally the one between Kirk and Commander Spock (Zachary Quinto). While Kirk is all emotion, Spock seems to fight against his human nature for his own self-preservation, as he tells Kirk and Uhura (Zoë Saldana) in a very moving sequence. What you are left with is an intriguing picture of a friendship forged from the most unlikely duo. Even though most of us are familiar with the Kirk/Spock relationship from the TV series, Abrams’ take is so very touching.

Now to the principal villain. I do not want to spoil ANYTHING (I actually was blissfully ignorant as to who was what in the film), but the main villain that everyone is aware of is the always delightful to watch Benedict Cumberbatch. Let’s face it – that man has a face marked for villainy, especially of the urbane variety. That said what is haunting is the cold way in which he delivers his brutality.

Yeah I know I mentioned in my Iron Man 3 interview I bellyached about the IMAX 3D experience, so chances were I would not want to relive that experience a second time. But call me a glutton for punishment I went ahead and paid for the privilege. To add to my enjoyment for the evening, this was not a bad 3D experience. So while I may not 100% sold on 3D for cinema-going yet, it does seem like for those who are willing to part with a few extra dollars, you may want to part with it here.

In discussing the film after the fact – someone brought up an interesting point to me – while the Star Trek films have been fun to watch, the ‘campy’ references to the legendary TV show run the risk of wearing thin as future installments of the franchise are released. We know that the Star Trek universe has limitless story possibilities, so this is a great time to explore those narrative opportunities. I am SO here for all of that!

Have you seen Star Trek Into Darkness? Hit up the Comments section of my post!

 

Oh Well, a Week Seems Like too Long …

… to be away from my blog!

Well the past few weeks have been rather busy indeed.

Originally, the plan was to get all of these wonderful cinematic events posted in rapid-fire style. The mind was willin but the body went into shut-down mode and was like “nah, you need some rest.”

So after a few days of some R&R (and still recovering) I hope to get back on track in the coming days with my posts on:

  • A roundup of my experience at Tribeca 2013 (Check out my Day One TFF Coverage on the LAMB – thanks Shala!)
  • My coverage of the closing events of the Columbia University Film Festival.
  • Profile of opening weekend at Rooftop Films; including a review of Noah Baumbach and Greta Gerwig’s latest, Frances Ha)
  • Additional Reviews of The English Teacher, State 194, Star Trek Into Darkness, 42 and The Great Gatsby

Stay tuned for some super-sized fun!

TCM Film Fest 2013: Recap, Part 2

This is the second of my two-part series wherein I recap my time at the 2013 TCM Film Festival.

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Day 3 – Four!

Saturday morning cartoons were a staple of my rearing and today would be no different. So again at a time that I would not typically be attending the cinema (8:30 or so to queue up) I was entertained by a series of Looney Toons shorts, featuring the one, the only Bugs Bunny, who was celebrating his 75th birthday! The shorts were introduced by Jerry Beck and Leonard Maltin.

I swiftly moved from Chinese Multiplex 1 to 4, prepared for my second Hitchcock screening, The Lady Vanishes that was introduced by Norman Lloyd (age 98), who skipped his weekly tennis game to present this (and several other) film.
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The wonderful thing about attending events like this is that they provide a rarefied opportunity for us in the present to listen to people who provide first hand accounts of people of the stature of Alfred Hitchcock, people who in seem so distant and removed from us.

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The Big Parade: I have to admit; this film was not on my radar as I made my preliminary viewing plan, but I am SO glad that I changed my mind at the last minute. Admittedly I am not a huge fan of silent cinema, but it is a format that I am gradually coming around to. So what better way to continue my silent cinema education than by watching the World Premier Digital Restoration of the WWI classic, directed by King Vidor, and introduced by film historian Kevin Brownlow. What fascinated me above all else with this movie is that it predates the silent epic Wings which until this point was my gold standard in the capturing “the war to end all wars” on film. This response to The Big Parade does not diminish in any way the impact and significance of Wings but it does help inform my further understanding of the canon of silent film. In the simplest of terms, this film was sublime.

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The Tall Target: Check out my previous blog post on this.

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What a way to round out the day! As the evening crept in, a feeling of sadness swept over me … I knew my time at the festival was drawing to a close and it made me sad :( I said hellos (and goodbyes) to the wonderful array of friends I made and ventured back to my hotel to ready myself for my eastbound flight the next afternoon.


Day 4 – No movies, just taking it all in. 

But I enjoyed living vicariously living through my fellow festival goers as to their whereabouts. I did a walk-by of the Cinerama dome prior to the showing of Cinerama Holiday (really wanted to see it).
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Other films I wanted to see if given the time were:

Never in a million years did I think I would utter the phrase – how I hate to leave Los Angeles – but this weekend I did. But the time came sooner than I wanted. I spent that morning prior to departure wandering down the boulevards of legend (H’wood and Sunset) pass through a lovely farmer’s market.
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OH I did also take the time to show my #noncynicalnewyorker stripes and took way too many pictures of some of my favorite stars’ star on the Walk of Fame.
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But now as I write this, LA and Hollywood are in my rearview as I am settled and safely nestled in my East Coast domicile, ready for it to start all over again. See you in 2014!

May 2013 Highlights

In the hustle and bustle of trying to recap all of the amazing stuff that happened at the end of April, I almost forgot to look ahead to the month of May! It is still early days so here are a few of the things I am looking forward to this month.

 

Columbia University Film Festival

I will be attending the closing night event this upcoming Thursday (May 9); coverage to follow.

 

TCM Programming

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Friday Night Second Looks: Dismissed upon their original release, here are a series of films that time has been rather kind to and TCM feels are worth a second look (those marked with an asterisk are films I have already seen; bolded titles indicate those that I look forward to catching):

 

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Tough Guys: Every Tuesday in May TCM will offer up a series of films featuring men who are world-weary but still in the fight:

 

On the big screen …

Well I have already caught Iron Man 3 so what else is left in store? Here is what else I HOPE to catch during the month:

  • The Great Gatsby
  • Star Trek Into Darkness
  • Frances Ha

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Cannes you help a sister out?

I generally do not cover in great detail a film festival that I am not attending or have knowledge of but I do like to follow (at a great distance mind you) what is happening in that little slice of heaven that is the French Riviera. One day maybe one day … until then I will have to be satisfied procuring an official poster and dreaming of this –

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TCM Film Fest 2013: Recap, Part 1

This is the first in a two-part recounting of my four days in the heart of Hollywood where I attended the fourth annual Turner Classic Movie Classic Film Festival (TCMFF for short).

Day 1 (or Nought Point Five if you will) – Arrival.

I touchdown a bit late but I touch down (#ThankGoodnessForSmallFavors) and shuttle to my hotel on Hollywood and Vine (nice!). But I did not have too much time to enjoy it – I simply drop my bags, freshen up and head straight down the Boulevard to the Roosevelt Hotel to pick up my credentials and meetup with a couple of folks. I connected with my blogging buddy Paula (@TCM_Party) in Club TCM and attend my first event  – a presser where we are introduced to the new TCM/Bonhams auction house collaboration of classic Hollywood memorabilia.

I also had the pleasure of playtesting a TCM app that is currently in development. My reward was a $5 GC that I quickly used as a credit for purchasing quite a few items in the TCM Boutique. My question is: how did they know I am a shopaholic? After spending a few minutes poolside at the Opening Night Party, I prepare myself for a double bill of classic movie goodness.

My first screening The Killing features one of my personal favorite actors, Sterling Hayden. I cannot exactly pinpoint it but I think it has something to do with his varied career as an actor and pursuer of many interests that draws me in.
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The evening came to a close with the viewing of a pre-Code gem – William Wellman’s Safe in Hell, introduced by film historian Donald Bogle and William Wellman’s son.
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After that it was an ‘interesting’ walk down Hollywood Boulevard to my hotel. Here I would like to offer a bit of advice: don’t walk it at night – hop on the Metro – it’s one stop and clean.

I pick up a slice of pizza (my first meal in LA) and promptly relax myself as I look forward to the day ahead – no time could be spared, the next day started at 9:15AM, sleep and jet lag be damned.

 

Day 2 – Three Films, One Completely New

Like I said above, I had to get up rather early, took the Metro (advice heeded) and queued up for my first film on a Friday morning. Just typing being at a film at 9 in the morning feels weird.  The way I justify it (if I HAVE to) is simple – it’s early afternoon at home. I Know Where I’m Going! is a British/Scottish gem and a film that I have always wanted to watch but never quite gotten round to. All I can say is that I am SO happy that my first experience is seeing was on the big screen. Did I mention I thought the film was absolutely LOVELY?
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As soon as the end credits rolled, I allowed myself a moment to take in the aforementioned loveliness and swiftly headed down the street to Grauman’s Egyptian to get on another line, this time to screen a repeater for me, the noir classic The Narrow Margin, introduced by one of the film’s surviving stars, Jacqueline White. It had been some time since I had last seen this film so I had forgotten a lot of the plot and subsequently many of the plot twists that I had totally forgotten about.
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My next film was also in the Egyptian. For the first of two Hitchcock films I would see over the weekend, the incomparable Notorious. Introduced by former TCM Essentials host Rose McGowan, I must say I never tire of seeing this sensual thriller.
IMG_0582It’s my iPhone wallpaper, ya’ll!

What a satisfying way to end my day.

Stay tuned tomorrow for the concluding two days of my Hollywood adventure!

Tuesday’s Overlooked: Summer Preview Edition

Well the summer blockbuster season is officially upon us. Often this time of year ushers in the relentless array of big budget films released for the sole purpose of parting us with our hard earned money (yeah still bitter about the IMAX 3D experience that was Iron Man 3).

However, there also exists in this space a smaller set of films that offer a counter-balance to the larger more extravagant fare on offer. So for this week’s “Overlooked” series (courtesy of bloggin’ buddy Todd Mason) I have decided to look into my crystal ball (don’t actually have one) and see what films coming out this summer I feel will not get their just desserts by the mainstream audience.

Frances Ha (actually will be seeing it this week)

Frances (Greta Gerwig) lives in New York, but she doesn’t really have an apartment. Frances is an apprentice for a dance company, but she’s not really a dancer. Frances has a best friend named Sophie, but they aren’t really speaking anymore. Frances throws herself headlong into her dreams, even as their possible reality dwindles. Frances wants so much more than she has, but lives her life with unaccountable joy and lightness. “Frances Ha” is a modern comic fable in which Noah Baumbach explores New York, friendship, class, ambition, failure, and redemption. Courtesy of IFC Films. Opens May 17th in NY & LA with a staggered released throughout the country.

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Before Midnight (see previous post). Opens May 24th

 

The East

An operative for an elite private intelligence firm finds her priorities irrevocably changed after she is tasked with infiltrating an anarchist group known for executing covert attacks upon major corporations. (Source: IMDB) Opens May 31

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Much Ado About Nothing

A modern retelling of Shakespeare’s classic comedy about two pairs of lovers with different takes on romance and a way with words. (Source IMDB) Directed by Joss Whedon. Opens June 7

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The World’s End

Five friends who reunite in an attempt to top their epic pub crawl from 20 years earlier unwittingly become humankind’s only hope for survival. (Source: IMDB) From the team that brought us Shaun of the Dead and Hot Fuzz. Opens August 23

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What films are you looking forward to this summer that you feel have the potential to be overlooked by the mainstream audience? Hit me up in the Comments section below.

 

Just a Few Questions Concerning Iron Man 3 (Contains Spoilers)

These are just a few thoughts/open-ended questions that have been swirling in my mind since I saw Iron Man 3 yesterday (yeah yeah I know suspension of disbelief and all but for reals, this stuff was kinda sorta nagging me, so bear with).

  1. Will Happy slip back into a coma after watching season 3 of Downton Abbey?
  2. How did Tony Stark pay for all of that hardware when he was in exile in Tennessee? ILCs Theory: emergency stash of cash in the Iron Man suit.
  3. Speaking of Tennessee, that little kid – precocious or just plain annoying?
  4. Why didn’t they have the Thermal Soldiers [copyright ME ;) ] guarding the ‘hideaway’? Side Note: bullet to the kneecap ALWAYS looks so painful.
  5. Rebecca Hall’s appearance, a bit of a letdown?
  6. Why is Miguel Ferrer always playing a bit of a creep?
  7. Exactly how does one reverse making someone a thermal person? I see you Pepper Potts …
  8. Guy Pearce + Don Cheadle two actors I am glad to see on the screen and collecting (what I imagine is) a nice paycheck. Well done boys.
  9. 3D AND IMAX, really?
  10. Why did I stay until the end credits?

In spite of these asinine questions and observations I have just presented, I really did enjoy the film – more than the second (well except for this bit):

and not nearly as much as the first one.

Robert Downey Jr. always sells the role enough to keep me interested in seeing where the character is going. The ‘peripheral’ characters (a term used advisedly) did not hold as much sway for me.

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A lot of the charm in the Iron Man canon was the levity and humor that was here, mainly in the form of Sir Ben Kingsley (spoilers), was patchy at best. Frankly I was expecting a little more since Shane Black was affiliated with the film but then I remembered this was a PG-13 film whose goal was to shoot straight down the middle and fill as many theater seats possible (still salty about the whole 3D/IMAX ‘experience’ but I digress – really is my own fault).

Let me know what you think in the Comments section below.

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Tuesday’s Overlooked Film: The Tall Target

This week’s ‘overlooked’ pick is the first (of certainly several) shout outs from the 2013 TCM Film Festival. The movie is 1951′s The Tall Target directed by Anthony Mann and starring Dick Powell.

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Powell is a New York City-based a police officer, hell bent stop the assassination of Abraham Lincoln in Baltimore as he makes the train journey from Pennsylvania to his inauguration in Washington, DC.

Now I will readily admit (as I also discussed with another film-goer), that when I read the program description in the festival guide, I was not sure if this was some sort of contemporary, for the time hard-boiled crime thriller (Powell was in it after all) that happened to be anachronistic, given the “tall target” of the title. But soon in I realized that was not the case. Thanks in part to another WONDERFUL introduction by film historian Donald Bogle, we find out that this film is based in part on historical folklore that allegedly took place on the eve of Lincoln’s swearing-in.

There are quite a few twists and turns to this one so I will leave it up to you to enjoy for yourself.

Also starring in supporting roles are Adolphe Menjou and Ruby Dee, a young slave who has more moxie than one initially would think.

Check out Todd Mason’s site, Sweet Freedom for more overlooked, forgotten or otherwise under-appreciated cinematic gems.

Pacific Rim: WonderCon Footage


ILC’s Take:I don’t know what to make of this film. It is Guillermo Del Toro so it certainly has some degree of goodwill going for it. But it may not be for me.
Thoughts? Share comments below.
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