dana andrews — i luv cinema

Tuesday’s Overlooked Film: Boomerang! (1947)

A long time ago in what seems a different life, I wrote a review of this early Elia Kazan picture. If I am able to locate it I will update this week’s post to include it.

In the meantime, I did not want the opportunity to pass without extolling its virtues:

It is one of the best of those true life, “ripped from the headlines,” documentary styled noir-ish dramas from the 1940s.
It features one of my favorite actors of the period, Dana Andrews.
It has a courtroom drama sequence that will literally leave you at the edge of your seat.

As previously stated, this film is based on a true story of a 1920s case in suburban Connecticut; however for narrative purposes the film is moved up the present day 1940s. One evening, a beloved priest is killed in cold blood. Suspects are thin on the ground, which does not bode well for the local political leaders. As a result, a large scale manhunt takes place, eventually leading to the apprehension and extradition of disaffected war veteran John Waldron (played by Arthur Kennedy).

What looks like an open an shut case (thanks to Waldron’s confession – the result of sleep-deprivation delirium), leaves Dana Andrews’ Henry L. Harvey with doubts. In classic bucking against the system fashion, Harvey begins to look back at the people, places and events surrounding the investigation to deconstruct what exactly happens. It is this information that he presents to the judge and audience (not going to give away the ending ).

The documentary-styled elements are always a draw for me when looking at crime dramas of this decade. The drama of the narrative blends seamlessly with the more overarching documentarian aspects of the film.

With respect to the acting, as I have already stated, Dana Andrews delivers. But he is bolstered by an equally stellar supporting cast which includes Arthur Kennedy, Lee J. Cobb, Jane Wyatt, and an always reliable Sam Levene.

So if you like films such as my previously-mentioned The Naked City, I suggest you find this film and watch it.

Also be sure to visit Todd Mason’s blog for more overlooked titles.

Source (for plot synopsis): TCM Movie Database

A Western Perspective (The Ox Bow Incident)

Yesterday I tweeted about the Ox Bow Incident. A couple of days prior I had been on the phone with my brother – we started out by discussing our reactions to the latest installment of True Blood. At some point, the conversation moved to Clint Eastwood’s Unforgiven (1992); how we got there I cannot tell you. My brother was marvelling at the allegory conveyed in this modern masterpiece. In his estimation this was a film that broke the standard conventions of what people traditionally think about the “wild” West; especially its mythic standing portrayed over the years on the silver screen.

It was at this moment that I took the opportunity to tell him, that while I am no expert on the genre, throughout cinematic history, turning the myth of the American West on its head is not totally a new idea. I first started talking about The Searchers (1956), but soon moved on to my favorite Western, 1943′s The Ox Bow Incident. It is a very intimate film, not something one finds in a traditional Western. Based on a novel of the same name, it is a moving story of what happens when one’s conscience yields to mob rule and the actions that mob (posse) fly in the face of reason, logic and justice.

I do not want to reveal the details of the plot because I want you to experience the film as I did – a lovely wonderful surprise on a random weekend afternoon. I assure you if you have not seen it, it will leave you thoroughly satisfied.

*The Ox Bow Incident is playing Sunday, September 5, 2010 (12:00 Noon) at the Film Society of Lincoln Center.