The 40 Biggest Stinkers of the Decade (10-1) – Inside Movies.
The 40 Biggest Stinkers of the Decade (10-1) – Inside Movies
Romantic Literature
It must be obvious to readers of this blog – I love romantic pictures .. especially those that are adapted beautifully from some great bits of literature. I was browsing the BBC America site this evening and followed this link:
http://bbcamerica.com/content/382/index.jsp
Mind you it is a Miramax advert for the upcoming DVD release Cherie starring Michelle Pfeiffer, it is something I thought you might like. Click on the images and read the short synopses of books and their novel adaptations.
My Fall/Holiday Season "Must Watch"
The season is upon us – the film season for adults. As much as I enjoy some of the gloss big blockbusters, I am really looking forward to these offerings of the season:
- The Young Victoria – I like Emily Blunt and I love historical dramas
- An Education
- Bright Star (will try to catch this weekend)
- Nine (the Musical) – this film is more or less a curiosity, everything and the kitchen sink is in it … I cannot wait to see how it all comes together – hopefully
- The Road - I have been waiting for this film for a while for the following two reasons 1) Viggo Mortensen and 2) I have started reading the book and would love to see the transfer of the bleak work onto the screen
- Whip It - I love the “quirkiness” of Drew Barrymore in front of the camera and I anticipate that she works her same magic behind it as well
- Precious – am bracing myself for severe depression
- Invictus – Clint Eastwood and Morgan Freeman at it again; throw in Matt Damon for good measure = I’m sold!
- A Single Man - hopefully this is the film that will prove to a wider audience the talent and more importantly the range of Colin Firth; another interesting note: Tom Ford, he of the fashion world is at the helm
- The Imaginarium of Doctor Parnassus - obvious curiosity aside, I looked at the trailer and was genuinely intrigued. I usually run hot and cold with Terry Gilliam, but this looks like one that I have to see in my cinema.
- Sherlock Holmes - I have my reservations about this movie (Guy Ritchie) but I love the Sherlock Holmes story and it has been sorely missed from the big screen for some time.
And here are some family film offerings:
- Where the Wild Things Are
- Cloudy with a Chance of Meatballs
- A Christmas Carol
As you can see my list is MUCH longer than my summer picks. So far I have seen CoCo Before Chanel – a worthy enough film if not a bit plodding and slow in parts.
… I will try to keep you posted as to my progress in seeing these and probably several other films from now until the end of the year.
Fave Movies Featuring U2 Songs
Last night (9/23) I went to see U2 perform … awesome as always. After the concert, I thought about how I could tie in the concert to movies – et voila! Here are my favorite films that have U2 songs in the soundtrack (ordered by date):
- City of Angels – If God Will Send his Angels
- The Devil Wears Prada – City of Blinding Lights
- About a Boy – Zoo Station
- Ne le dis a Personne (Tell No One) – With or Without You
and one song in a movie I did not particularly like: Batman Forever – Hold Me Thrill Me Kiss Me Kill Me
The Tudors on Film

The season three finale of The Tudors aired last Sunday. Frankly, it left me a little disappointed. Not because of the historical inaccuracies, mind you. In fact, I fully respect the creators’ decisions are made mostly for the sake of entertainment and not to inform or teach. That is why I have tuned in for the past three seasons. Overall, the season felt like a holding pattern for the telling of the closing chapters of Henry VIII’s life.
As I reflected on the show over the past week, my thoughts diverged and expanded to the treatment all aspects of the Tudor dynasty have received on film.
My first recollection of watching a film about the Tudors was when I was in high school. Our European History teacher thought it was a good idea to integrate films with our history lessons. As a result, I saw Anne of a Thousand Days (1969).
Beyond that, I created a mini Tudor filmography of films that standout for me. This list is definitely not inclusive; I am just featuring those films that resonated with me in capturing the spirit and intrigue of the Tudor dynasty.
Lady Jane (1986): a very good solid dramatic piece that showed nothing was sacred in Tudor England., not even the life of minors. An interesting bit of trivia: Helena Bonham Carter, the lead of this film would 17 years later portray one of Henry’s wives, the infamous Anne Boleyn in a 2003 television adaption (starring Ray Winstone as Henry).
The Private Life of Henry VIII (1932): a bit stagey but Charles Laughton is worth watching.
Elizabeth (1997): Richly produced gave a wonderful glimpse into the life of a youthful, vibrant Queen Elizabeth I, a sound departure from the prevalent and popular portrayal of the “Virgin Queen.”
Young Bess (1953): Another film that looks at the early life of Elizabeth I, as portrayed by Jean Simmons. Not much is said about this film. Nevertheless, I like it if for nothing more than the central performers, Ms. Simmons and Deborah Kerr’s turn as Catherine Parr, Henry’s sixth wife.
Private Lives of Elizabeth and Essex (1939): An entry from Hollywood’s Golden Year of 1939.
One recommendation of a film I did not see in full: A Man for All Seasons (1966). I fascinated by the idea of martyrdom, especially in this case since More and Henry so admired one another.
The above listed movies are good in their own right; however, my favorite Tudor adaptation is the television miniseries of Elizabeth I (2005) which aired on HBO. I feel that the story of the Tudors is much better told in a serialized format (mini-series, television series or documentary). One possible reason is that the historical record of the drama and intrigue in the Tudor court is so rich. As a result, in a feature length film, a lot of information is either glossed over or simply omitted due to the compression of time required of movies. In serialized formats, there is enough time to cover the details in a manner satisfying to the viewing public.
One benefit of watching all of these shows/movies is that I started investigating the real history of what happened from 1485-1603. In fact, a simple Google search yields many websites that have looked at the history of the Tudors in cinema and television. One article of note is provided courtesy of The American Historical Society. I recommend that you look at this. In addition, Tudors and Stuarts on Film: Historical Perspectives is a collection of essays edited by Susan Doran and Thomas S. Freeman, and is currently available in hardcover.
Top Bromances of all Time
This is taken directly from WENN news (via the Internet Movie Database):

- Butch and Sundance … greatest bromance of all
Butch & Sundance Top Bromance Poll
Paul Newman and Robert Redford have topped a new Internet poll listing the top 10 Movie Bromances of all time.
The pair’s Butch Cassidy & The Sundance Kid roles beat Lethal Weapon’s Murtaugh and Riggs, portrayed by Danny Glover and Mel Gibson, on RoddysRockinReviews.com’s online countdown.
Naming Newman and Redford’s portrayals number one, the website claims Butch and Sundance are the “Bromance of Bromances,” adding, “When things in their wild world goes awry the two have so much devotion to each other that they face their imminent doom together without even blinking.”
Point Break’s Bodhi and Johnny Utah, played by Patrick Swayze and Keanu Reeves, Star Trek’s Spock and Captain Kirk and Top Gun’s Maverick (Tom Cruise) and Iceman (Val Kilmer) also make the new top 10.
Personally, I could not agree more! Butch and Sundance is one of my favorites all-time.
What do you think? Did the public get it right? What other bromances did the pollsters miss?
Best Movie Cameos
Summertime is here! Bring on The Blockbuster (and not so big) Pictures!
Yes ladies and gents, it is that time of year again. A time when movie studios unload their crowd pleasing big-budgeted movies. I really look forward to this time of year, especially when there are more than three (3) films I am willing to pay for. Last year was pretty good and this year looks like it will be the same.
While this is a time for the larger movies to see the light of there are also those smaller films (“counter-programming”) which I must remember not to overlook.
I already have my Wolverine (May 1) ticket purchased and at the ready. The moment Harry Potter and the Half-Blood Prince (July 15) tickets go on sale, I am there, in spite of the nearly nine months I endured after Warner Brothers held off the initial release date. It is almost unforgivable.
So, after doing some additional research on IMDB’s Summer 2009 Movie Guide, here is my personal list of other must see films:
May
8th: Star Trek – I am not a Trekkie but I am really forward to this re-imagining. They had me at the teaser.
8th: Rudo y Cursi – I am going to try to catch this at the Tribeca Film Festival. Could be a riot.
22nd: Terminator Salvation – Bale tirade aside I almost forgot that this movie was coming out. The trailer looks very good.
So far, there is nothing premiering in June that captured my interest; does not matter anyway – I am seeing Eric Clapton in concert. That should get me through. BUT If I do get the urge to enter the cinema, I will likely catch up on Whatever Works and Easy Virtue.
July
1st: Public Enemies – given my love of crime dramas from eras long gone their handling of similar subjects and characters, I am looking forward to seeing how the story is brought forward into the 21st century.
That is it folks! It looks like it will be the Summer of Bale, if both his movies are big. Granted my must see list is not an end all be all for summer movie going experience. I am sure over the course of the summer I will dragged invited to go to the movies with friends and family. At the end of the day, going to the movies really is a social enterprise; well that and a great way to save on home energy costs (free AC)!
Happy Belated Birthday Bill Holden!

William Holden as Sefton in "Stalag 17" (1953)
April 17th (Friday) marked William Holden’s 91st birthday. As someone who is admittedly a fan but also admitting to not seeing films such as The Wild Bunch (1969) and Network (1976) to their completion, here in no particular order are a list of what I feel are some notable Holden performances:
Picnic (1955) – the Cinemascope/Technicolor combination makes this film feel like a big sweeping epic. Which is strange since is hails from a stage show, which in general tend to be more confined. It just looks like a “big” picture. While I do not think that this is the best of Holden’s performances, I still enjoyed the picture. A great part of my reservation stems from the fact that while Holden’s Hal Carter is a bit world-weary (much list the actor in real life) there is an immaturity in Hal that Holden does not seem to be able to capture. It truly is a compliment to the fact that by this time in his life Holden himself appeared to be a man who “got it” and would not live under such delusions.
Sunset Boulevard (1950) – one of his finer performances. As much as we are taken in by the bravura performance of Gloria Swanson’s Norma Desmond, Holden performance is a perfect foil with its nonchalant indifference to the glare of Hollywood. No wonder he received his first Oscar nomination!
Apartment for Peggy (1947) – this such a cute movie especially for slow afternoon. Truly diverting and pleasure to watch.
Our Town (1940) – I watched this movie again the other night on late-night public television. I think this film is especially noted for a fine turn from pre-WWII Holden. When referencing his performance, the New York Times’ Bosley Crowther in his June 14, 1940 review stated, “William Holden plays the boy with a clean and refreshing youthfulness.” Among the awards bestowed upon this film: “10 Best Films” – 1940 New York Times; “10 Best Films” – 1940 Film Daily; Best Acting – 1940 National Board of Review (Martha Scott and William Holden). In addition it was nominated in the following categories: 1940 Oscars – Best Actress (Martha Scott); Best Black and White Art Direction (Lewis Rachmil); Best Score and Original Score (Aaron Copland); Best Picture; Best Sound (Thomas T. Moulton); 1940 National Board of Review for Best Picture.
Stalag 17 (1953) – my personal fave and by sheer coincidence Holden’s Award-winning performance as Sefton, a cynical, self-serving POW who ends up being our hero by film’s end.
For those who are interested in learning about the life of William Holden the actor and the man, I recommend Bob Thomas’ Golden Boy: the Untold Story of William Holden is a very good biography. It tells the story straight without too many salacious details.
Fright Fest – my “tales of terror.”
This past Monday night as I prepared myself to watch a replay of the new HBO series True Blood, I was watching the preceding program, Shadow of the Vampire from the year 2000. It was my first time viewing this film about a fictionalization surrounding the filming of 1922’s Nosferatu. Overall is made for great viewing but it got me thinking, “In my mind, what qualifies a movie as ‘scary’ or even ‘terrifying’?” After some thought I concluded that this definition for me is very broad. That is why I use scary and terrifying interchangeably as you will find throughout the passage.
To me, the goal in creating a good it is not merely about the shock-value – although that can go a long way when executed properly. What is truly scary or terrifying to me are films which upon their first (and hopefully subsequent) viewings to a “mind mess” with me. In other words, to truly feel terrified or scared, I want to leave the cinematic experience playing with various scenarios of what I have just experienced in my head, almost to a troubling degree. My television equivalent of what is most terrifying is what the very best of Rod Serling’s The Twilight Zone had to offer.
In previous entries I have stated my love of (all) things Alfred Hitchcock. For the purposes of this blog entry I will exclude these titles – although I must admit when I think of scary and terrifying I do not immediately think of Hitchcock for some reason. I do find them suspenseful and full of dramatic tension but around this time of year I do no feel a special need to place his titles in a heavier DVD rotation.
So as we near All Hallow’s Eve this Friday here is a list of what MAY be playing in my queue. This is not an all-inclusive list I am sure. A couple that are not on the list but in my collection is The Orphanage ( il Orfanato) and Hard Candy – we’ll see if they have what it takes to make my list!
Meshes on the Afternoon (1943) – a Maya Deren short which has produced a couple of nightmares in my lifetime
Dead of Night (1945) – I really hope that this film gets a proper digital transfer to DVD – this is one for the collection, a real keeper.
Brazil (1983)
Jacob’s Ladder (1990)
The Shining (1980) – sterility and coldness literally sends shivers up my spine; Kubrick was very effective at capturing that.
The Others (2001) – Who cares if you were able to figure out the plot twist before the big reveal? My unsettledness had a lot to do with the other-worldly atmosphere.
Heavenly Creatures (1994) – a terrific pre-LOTR adaptation by Peter Jackson.
The Third Man (1949) – part of what makes the visualization and imagery disturbing in this film has to do with its connection to the aforementioned “Heavenly Creatures.”









Recent Comments